2014 DREAM CONCERT 3D (2014 드림콘서트 3D) | ||
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감독 | 김창우 | |
촬영감독 | KIM JAE WON | |
스테레오그래퍼 | KIM SANG IL | |
타입 | Narrative | |
국가 | Afghanistan | |
회사 | SBS Plus | |
카테고리 | Feature Film | |
제작년도 | 2014 | |
요약 | ||
The biggest annual live K-Pop show, Dream Concert, celebrated its 20th anniversary at |
3-D SPACE Presentation (3-D SPACE Presentation) | ||
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감독 | Eric Kurland | |
촬영감독 | ||
스테레오그래퍼 | Eric Kurland | |
타입 | Documentary | |
국가 | United States | |
회사 | 3-D SPACE | |
카테고리 | Presentation | |
제작년도 | 2017 | |
요약 | ||
Our goals include: 1. A Museum of permanent collections on display to educate about the history of 3-D art and science. 2. A Gallery of curated exhibits by recent and current 3-D content creators. 3. A Theater to screen 3-D films and other related cinematic works, and to host lectures and presentations. 4. A Library of 3-D books, movies, and other media. 5. A Classroom devoted to teaching the techniques and methods of 3-D image creation through classes and workshops for the public, including special outreach and educational programs for youth and seniors. |
3D Medical Documentary ‘The Fetus’ (3D의학다큐멘터리 태아) | ||
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감독 | 표만석 | |
촬영감독 | ||
스테레오그래퍼 | pyopd@kbs.co.kr | |
타입 | Documentary | |
국가 | South Korea | |
회사 | 한국방송공사 편성센터 3D콘텐츠제작단 | |
카테고리 | Feature Film | |
제작년도 | 2012 | |
요약 | ||
266 days is the time that is needed to create one life, |
51street, Utoro family (51번지, 우토로가족) | ||
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감독 | 곽동철 | |
촬영감독 | Byeongryul Jeon | |
스테레오그래퍼 | Byeongryul Jeon | |
타입 | Documentary | |
국가 | South Korea | |
회사 | (주)더슛미디어 | |
카테고리 | VR Movie | |
제작년도 | 2016 | |
요약 | ||
During the Second World War, the Korean workers who could not go back to their hometown after drafting into the military by force for a military airfield construction in Kyoto, Japan, then they settled here in Utoro. Question subtitles) What were your memories of neighbors when you were in your childhood? Although the settlement was unlicensed, the residents built modest houses between the empty land and the sky, they care for their family, and they cultivates the village little by little. |
9, chemin des Gauchoirs (9, chemin des Gauchoirs) | ||
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감독 | Lyonel Charmette | |
촬영감독 | ||
스테레오그래퍼 | Lyonel Charmette | |
타입 | Animation | |
국가 | France | |
회사 | Vanilla Seed | |
카테고리 | Short Film | |
제작년도 | 2015 | |
요약 | ||
Cable cars converted into houses, how fascinating… The shepherd makes sure that nobody’s there, ties his goat to the quay and gets into a luxurious « bathroom cabin ». Vacillating between this unexpected comfort and the ground, he starts feeling at ease, until he meets the place’s real occupants. |
a Walk in Dreams (몽중산보) | ||
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감독 | 박용준 | |
촬영감독 | 박용준 | |
스테레오그래퍼 | 박용준 | |
타입 | 기타 | |
국가 | Japan | |
회사 | 일본대학 예술학부 | |
카테고리 | 단편영화 | |
제작년도 | 2014 | |
요약 | ||
Park with a near Tokyo, One of the women as waiting for someone, I’m sitting on the bench. |
Aenigma (Aenigma) | ||
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감독 | Antonis Ntoussias, Aris Fatouros | |
촬영감독 | ||
스테레오그래퍼 | Antonis Ntoussias | |
타입 | Animation | |
국가 | Greece | |
회사 | Steficon | |
카테고리 | Short Film | |
제작년도 | 2016 | |
요약 | ||
A Greek stereoscopic CG animation inspired by the works of Greek surrealist painter Theodore Pandaleon. A requiem to Form, Feminine-Goddess, eternal Eve, Art. From idealization and sacred worship to delectation and insemination, to transformation and reproduction, to deterioration and decay, to desecration and vandalizing, to condemnation and subjugation, to the fall into timeless erebus. To the dream of regeneration.. |
AEON (AEON) | ||
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감독 | Derek O’Dell | |
촬영감독 | ||
스테레오그래퍼 | Derek O’Dell | |
타입 | Animation | |
국가 | United States | |
회사 | ||
카테고리 | Short Film | |
제작년도 | 2016 | |
요약 | ||
Ever since I began animating, I slowly became addicted to creating movement that you can literally “feel”. Whenever I get the impact or flow right in a piece, I sense what I’m creating truly has life. My goal with AEON was to deliver the soul of that feeling to the audience. Filmmakers Oskar Fischinger and specifically Michel Gagne’s with his short, Sensology, inspired me to create AEON in the experimental visual-music medium. In addition, I wanted to create an experience that could be felt in more than just one-dimension. Because of this, AEON’s recommended and preferred viewing is in stereoscopic 3D. I’m also excited to finish the VR version, for complete immersion. (Currently in R&D). |
Airground (Airground) | ||
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감독 | Sylvia Nicolaides | |
촬영감독 | Vishal Vittal | |
스테레오그래퍼 | Zdenek Travnicek | |
타입 | other | |
국가 | Czech Republic | |
회사 | ||
카테고리 | Short Film | |
제작년도 | 2014 | |
요약 | ||
‘Airground’ is a 3D video art piece. It is an existential journey portrayed through a group of acrobats simulating a flight that is destined to fall. |
Alpha Centauri (Alpha Centauri) | ||
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감독 | 정윤철 | |
촬영감독 | ||
스테레오그래퍼 | blank | |
타입 | other | |
국가 | South Korea | |
회사 | ||
카테고리 | Short Film | |
제작년도 | 2010 | |
요약 | ||
Some day in the future, there is a man who went to the Alpha-Centauri, which is the closest planet from the earth. He is boarding in a spacecraft and returning to the earth to see his wife and a daughter. The couple is being lost in honeymoon memories, and they are enjoying a good time at beautiful seashore of the earth. However he asked her not to wait for him. Because it will take over 10 years for him to return to the earth from the finish of a space trip. They argue with each other. She says that she will wait for him continuously. As he is seeing her sad eyes, he opens his eyes. The site is inside the spacecraft… |